Eeswaran Film Overview: Fairly comparable to some earlier outings of Susienthiran, Eeswaran, which has Silambarasan taking part in the titular function, too, is about in a small city. The film begins with a preferred astrologer within the village making a prediction concerning the demise of Periyasamy’s (Bharathirajaa) spouse which seems to be true in a couple of minutes. Periyasamy, a hardworking farmer and a dutiful dad to some children, raises them efficiently, although the kids develop into busy with their very own lives as years move by.
Twenty 5 years later, on the demise anniversary of his spouse, his youngsters and grandchildren are visiting him, and he is seemingly excited. Eeswaran, the caretaker of Periyasamy, is simply too glad for him and ensures that he leaves no stone unturned in making the household get-together a grand one.
Nevertheless, little did they know that they’ve an enormous menace from a felony who served imprisonment due to Periyasamy. The household astrologer’s prediction of a demise within the household makes issues worse.
Billed as a pageant entertainer, the film does justice in elements, thanks to some scenes which contain the members of the family. Silambarasan’s dedicated efficiency and Thaman’s background rating raise the film, which in any other case, has a predictable screenplay with clichés galore. Tirru’s visuals are pleasing and aids in offering the required atmosphere to the story.
Bharathirajaa seems comfy in his function and Balasaravanan is forged apt because the protagonist’s aide, whereas Munishkanth impresses, because of the style by which his function has been written.
The shortage of novel concepts, ineffective twists and feminine leads who’ve hardly something to do have an effect on the move of the movie. The emotional scenes lack required depth, and the strain surrounding the antagonist may have been significantly better.