Assessment: Venu Sriram’s Vakeel Saab is an official remake of the Bollywood hit Pink, a movie that managed to interrupt boundaries and generate conversations, particularly round consent. Whereas the movie has been tweaked with a beneficiant dose of masala to not simply go well with Pawan Kalyan’s star picture but in addition his budding political profession, Venu manages to get the stability proper for essentially the most half.
Pallavi (Nivetha Thomas), Zareen (Anjali) and Divya (Ananya Nagalla) are roommates who work laborious to make a residing for his or her center class households. Their glad, easy and carefree life quickly turns the other way up attributable to an unlucky encounter one evening. Dealing with prices of solicitation and try to homicide, the women discover themselves painted right into a nook by an influential man and his pals.
Vakeel Saab aka Konidela Satyadev (Pawan Kalyan) is an alcoholic lawyer who hasn’t returned to courtroom for the reason that day he was suspended a couple of years in the past. He drinks to masks the ache of a previous he can’t right and canopy up guilt he can’t let go of. However when he appears to be the one hope for these ladies to show their innocence, he will get his act collectively and fights for them.
In the direction of the fag finish of the movie, Satyadev beats up a couple of goons and says, “Courtroom lo vadinchadam telusu, coat teesi kottadamu telusu.” (I understand how to combat each in courtroom and off it.) This dialogue exhibits simply how totally different his character is from that of Deepak Sehgal, Amitabh Bachchan’s character from the unique. The place Deepak takes the route of lesser mentioned the higher and subtlety, with a contact of sarcasm, Satyadev believes in going all out – be it along with his sarcasm or his fists. Venu Sriram does a superb job of organising his character and whereas his back-story in first half ft. Shruti Haasan as his spouse might sound inconsequential at first and is a take a look at to the persistence, the movie circles again to how Satyadev can’t change who he’s on the finish of the day, be it at a protest or in courtroom. Pawan Kalyan too appears snug within the pores and skin of his character.
Nivetha carries the burden of the movie after him and few scenes that includes her should not simply heart-wrenching, but in addition painful to look at. However then once more, the predicament she finds herself in is a tough actuality for a lot of girls on this nation. Anjali comes an in depth second together with her character Zareen, who at all times appears to present off a relaxed exterior however simmers proper beneath the floor. Ananya’s character Divya doesn’t have too many strains, however she manages to make her presence felt in what she’s given. So does Shruti Haasan, even when her character doesn’t get sufficient time or house for us to sympathise together with her. Prakash Raj performs Nanda ji whom Satyadev faces in courtroom, he pulls it off with ease.
Venu Sriram sticks to the plot of Pink for essentially the most half however tweaks the screenplay given how otherwise Pawan Kalyan’s character has been fleshed out. Two combat scenes particularly, whereas trendy, appear positioned for the heck of it and don’t gel properly with the circulate of the movie. Thaman’s songs too handle to get the job finished, nevertheless it’s the BGM the place he actually shines and offers it his all. Now the query stays if Vakeel Saab manages to make you as uncomfortable as Pink did because of the nature of the crime, particularly within the courtroom scenes. It doesn’t, as a result of Satyadev’s dialogues in these scenes are positioned to elicit whistles whereas additionally getting the purpose throughout and that dilutes the problem at hand. And regardless of all that neck rubbing and desk flipping, Satyadev does get his second in courtroom to make it clear that “no means no”. On the finish of the day, that’s all that issues.
Watch this one for the performances, particularly when you’re a fan of Pawan Kalyan, Nivetha Thomas and Anjali. Additionally watch it when you’re a fan of masala potboilers backed by a robust message. However when you’re a fan of Pink, preserve your expectations in test, seeing as how the movie is just not even named after the ladies or the trigger it fights for.